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King update: Born Free’s rescued lion cub starts a new life

Imagine a lion cub, rescued from physical abuse and the confines of a filthy cage in a Paris apartment, feeling the South African sunshine on his back for the first time and the dry grass beneath his paws.

King the lion at Shamwari

King at Shamwari

That is the story of beautiful King the lion. Now successfully re-homed by International wildlife charity Born Free at their big cat sanctuary in South Africa’s Shamwari Game Reserve; King’s story captured interest (and hearts) back in April, when an appeal was launched to raise the funds to deliver him back to his ancestral home of Africa, and highlight the issue of the illegal wildlife trade. For those of you who’d like to read the first part of King’s story, take a look here.

Born free foundation's king the lion cub

King, back in April, before his big move

The one-year-old lion cub was rescued from an apartment in Paris last summer where he was being kept illegally as an ‘exotic pet’ in appalling conditions.

After his rescue, he was temporarily homed at Natuurhulpcentrum rescue centre, Belgium, awaiting his big journey back to African soil and lifetime care provided by Born Free.

A home fit for a King…

On July 5th he travelled from Belgium, to London Heathrow airport under the care of Born Free’s expert team. In his Born Free branded wooden container, King then flew to Africa, courtesy of Kenya Airways.

Born Free Foundation elsa toy on kenya airways stall

Katrina Hanson, Kenya Airways’ Area Cargo Manager, said: “We were delighted to assist in King’s amazing relocation to Born Free’s Big Cat Rescue Centre at Shamwari in South Africa. We have worked with Born Free for many years carrying rescued lions from Europe to Africa so they can enjoy being a lion. These relocations have been a great success and we do all we can to make it as stress free as possible for the lions.”

After a short internal flight, King touched down in Port Elizabeth, South Africa, before travelling the short distance by road to Shamwari and to his new home at Born Free’s Jean Byrd Centre. Shamwari, where I was fortunate enough to gain a 3-month volunteer placement back in 2008, has been home to Born Free’s two Big Cat Rescue Centres for more than 20 years.

King the lion returns home to Africa

“So many people responded to our appeal to bring young King to Shamwari, and now he has arrived!,” said Virginia McKenna OBE, Born Free’s Co-Founder and Trustee. “Thanks to everyone whose hearts were touched by his story, he now takes his first steps on African soil, and can begin his happy new life. May it be a long and peaceful one.”

The exotic pet trade

The sad story of King before he was rescued highlights the plight of millions of captive wild animals around the world that are kept as exotic pets.

I’m proud to support Born Free, who oppose the keeping of wild animals as pets. They state: \Wild animals, whether they have been taken from the wild or bred in captivity, have extremely complex social, physical and behavioural needs and are, therefore, particularly susceptible to suffer when kept as pets.

Dr Chris Draper, Born Free’s Head of Animal Welfare & Captivity, adds: “It is staggering that, in 2018, lion cubs are still finding their way into the pet trade in Europe. We are concerned that King’s case is the tip of the iceberg, and that a great many wild animals are being kept illegally as pets across Europe and elsewhere. This situation needs to be addressed urgently, and we hope that by introducing the world to King – his plight, his rescue and his rehoming to lifetime care – Born Free can draw attention to this important issue.”

***

I’m so glad to know that for King, the tale ends happily, but like many of the people who have reacted to this story; I find it shocking to think that wild animals are being kept privately in people’s homes. In the case of King, his owner’s warped sense of pride in posting pictures of the lion cub (and the abuse he suffered) on social media was his own downfall. Thank goodness that the right people saw his posts and reacted accordingly.

I am, however, concerned about the many wild animals whose owners are not foolish enough to post their mistreatment online. How many others are stuck in an existence like the one King had?

Please consider supporting Born Free’s petition to restrict the trade in, and private keeping of, dangerous wild animals in Great Britain: https://petition.parliament.uk/petitions/221050

To donate to King’s lifetime care, visit www.bornfree.org.uk/king, call 01403 240170 or text KING to 70755 to donate £10.

 

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How can music support children and wildlife to live in harmony?

“When we pay attention to nature’s music, we find that everything on the Earth contributes to its harmony.”

Many of us who spend our lives looking to our planet’s incredible wildlife and nature will know that there’s a truth in the above quote from Hazrat Inayat Khan.

lion-safari-afika-landscape-40756

Our natural world is so full of intricate melodies, delicate harmonies and dramatic crescendos — which is why in recent years we’ve seen wonderful composers such as Hans Zimmer creating the breath-taking score of the documentary series Planet Earth II, and the likes of Philip Glass composing for the fascinating docufilm JANE.

Children and wildlife in harmony

Knowing that music, the natural world and human nature are so intrinsically linked, I was delighted to discover an exciting event taking place next Monday 11 June 2018, which will see a coming together of  the wildlife charity Born Free Foundation and internationally acclaimed pianist and conductor Panos Karan (responsible for establishing the charity Keys of Change); in a performance of music written by one of the great masters of Romantic composition, Frederic Chopin; Children and wildlife in harmony.

I’m excited to explore the musical journey as Panos performs Chopin’s 24 formidable and evocative Études. How wonderful to allow Chopin’s delicate thoughtfulness and graceful composition to be the soundtrack to thoughts of the future of our planet.

Panos Karan at piano

Panos will also speak about his charity Keys of Change, which uses music to improve the lives of young people living in extraordinary circumstances around the world, and Born Free Foundation President Will Travers OBE will be hosting the evening, while representing Born Free’s Global Friends programme.

The special event has been created to raise funds for both these important charities; the Global Friends programme — which supports schools and communities alongside the charity’s wildlife projects in Africa and Asia — and Keys of Change musical education programmes — which run from Ecuador and the Amazon, to India and tsunami-stricken Fukushima.

Both Keys of Change and Born Free believe that children are the future. Panos Karan, the Founder of Keys of Change, has seen the transformative impact of music and a personal engagement that music can have on individuals. Born Free has seen the same impact when children are encouraged to appreciate, understand and respect nature. What the world needs now is more kindness. And that’s what Keys Of Change and Born Free can deliver.

Helping local communities and wildlife live together…

I imagine Panos commanding the piano to flow between moments of light delicacy, through building layers of emotion, to reach purposeful places of darkness. The kind of emotion and drama that Chopin is synonymous with tells so many stories, that it seems perfectly conceivable that our planet’s delicate balance between human-wildlife conflict and human-wildlife compassion could easily be one of them.

The Global Friends communities supported by Born Free live in locations close to, or surrounded by wildlife. Many children in Global Friends Schools have not had the opportunity to go and see wild animals living in their natural habitat and indeed, some members of the community regard wildlife as a threat.

DbOQDgrXkAE5ymp

Born Free work to help find practical solutions to reduce conflict and increase empathy for the thousands of individuals who live in Global Friends communities.

The intention of this exciting event, therefore, is to help Keys Of Change raise the resources it needs to reach to and support traumatised communities while at the same time building and reinforcing the Born Free Global Friends Programme.

According to Born Free President, Will Travers; “Panos has a remarkable story. He is incredibly talented, but not wealthy as he puts his heart and soul into bringing music to people who’ve never had that experience. People in prison, people ten hours up a dirt track from the nearest town, people whose lives have been shattered by disasters like the Fukushima nuclear situation. Born Free also works on the edge – in communities that may not have water, electricity, modern communications, or no more than the occasional vehicle passing through. These are the communities that are getting left behind and that surely cannot be right.”

I love the idea of these two incredible charities coming together as a force for good.

As the force of Chopin’s incredible Études fills the Codogan Hall in London next Monday, I hope to share this experience and global vision with you. It’s my birthday after all — and this sounds like an ideal celebration!

For more information and to buy tickets visit: bornfree.org.uk/events/

 

 

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Shocking reality of exotic pet trade exposed by Paris lion cub pet!

It’s hard to imagine the unstoppable, untameable force of the lion fitting into a tiny cage in private home. But King the lion cub found himself trapped in such a scenario. A victim of the illegal exotic pet trade, he was rescued from an apartment in Paris after shocking social media footage showed his captor beating the tiny cub.

Born free foundation's king the lion cub

King made international headlines in October last year, when he was found half-starved and cowering in a dirty cage in an abandoned apartment in Paris.

Just a few months old and kept illegally as an exotic pet, he had been beaten and kicked by his owner who then posted videos of the abuse online.

It’s hard to imagine such a shocking case can exist so close to home, and the thought of living near by to someone with a pet lion sounds like something that would only happen decades ago — but the latest research by international wildlife charity Born Free has revealed more than 292 dangerous wild cats – including at least nine lions – are being kept privately, and legally, in Great Britain under the Dangerous Wild Animals Act 1976.

The growing demand for wild animals to be kept as exotic pets worldwide is fuelled by both the legal and illegal wildlife trade. The illegal trade alone is worth an estimated $23 billion US dollars a year!

These wild species may be captive-bred, sourced from zoos and circuses or wild-caught, and they are sold through various means — such as online, in pet shops, trade fairs, markets and directly through breeders.

In response to King’s story, Born Free, has launched an urgent appeal to rehome King to its big cat sanctuary at Shamwari Game Reserve — a place I was fortunate enough to volunteer at many years ago — in the Eastern Cape of South Africa.

 

#LongLiveTheKing from Born Free Foundation on Vimeo.

King has left the building

Fortunately, King was rescued from his cruel captor — who was later tracked down, arrested and charged — by French animal rescue charities Fondation 30 Million d’Amis and Refuge de l’Arche.

King has now been given a temporary home at Natuurhulpcentrum rescue centre, in Belgium, and Born Free plans to transport him from Belgium to South Africa, where he will be given a permanent home at their long-established big cat sanctuary at Shamwari. The sanctuary is already home to 16 lions and leopards rescued from appalling captive conditions.

King’s new life at Born Free’s big cat sanctuary will be a world away from the Paris apartment in which he was discovered. He will be given lifetime care in a spacious, safe and natural environment, surrounded by the beautiful sights and sounds of Africa.

King, in Belgium, awaiting a ‘forever home’ at Shamwari’s big cat sanctuary

He was born free, he should live free

I have always been a huge supporter of Born Free Foundation, who strongly oppose the keeping of wild animals as pets. Wild animals have complex social, physical and behavioural needs and are, therefore, particularly susceptible to welfare problems when kept as pets.

“Whether wild-caught or captive-bred, wild animals retain their wild instincts and their often complex social, behaviour and environmental needs: needs that are impossible to meet in a domestic environment,” Born Free’s Head of Animal Welfare & Captivity, Dr Chris Draper explains.

“It is high time that we stop viewing exotic wild animals simply as objects to own, and start considering their welfare — and the risks they may sometimes pose to us. It should be abundantly clear that the never-ending demand for increasingly exotic and dangerous wild animals in the pet trade needs to stop.”

Born free king campaign letters

As ever, perhaps the most impassioned voice comes from Born Free Co-Founder and Trustee, Virginia McKenna OBE:
“Have we learned nothing over the years? How can we not understand that keeping wild animals in cages is not just cruel, but shameful? Lions are known as kings of the jungle.”
“This little king, sadly, will never wear his crown, but at least we can give him love and respect and a natural environment to roam and rest in. That is the least he deserves, and I hope people will help us write a happy ending to this story.””
To donate to this cause, visit www.bornfree.org.uk/king, call 01403 240170 or text KING to 70755 to donate £10.

 

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Gorillas in the wild; and how to help them stay that way! — Guest post by Dan Richardson

Last month saw the exciting announcement that the Remembering Wildlife book series, responsible for the highly acclaimed Remembering Elephants and Remembering Rhinos titles, will be dedicating this year’s follow up book to Great apes. To date, the Remembering Wildlife series has raised more than £275,000 for the conservation of its highlighted species. Here, Ambassador to the book series, Dan Richardson, talks about his recent trip to Africa with Remembering Wildlife Founder Margot Raggett; his thoughts on the profound experience of seeing great apes in the wild and shares some of his incredible photographs from the encounters.

Gorilla eyes, Rwanda, photo by Dan Richardson

Rwanda and her people are truly astounding. Apart from the incredible wildlife, particularly the gorillas — which were the primary reason for being there — it’s a country that’s utterly unique in Africa.

The progressiveness would be quite an achievement for any country anywhere in the world, but for one with a recent history as dark as Rwanda’s 1994 genocide, it’s absolutely remarkable.

There’s a lot I need to learn about the Rwanda and how they’ve come from such tragedy to where they are today, but it’s certainly a fascinating country, and one I’ll definitely be visiting again.

Great ape species are in terrible trouble in many places, but they aren’t perhaps as iconic or immediately obvious as the likes of elephant, rhino and lion.

I travelled to Africa with Margot Raggett, Founder of Remembering Wildlife to close the loop on some rhino conservation projects that had been funded through the Remembering Rhinos book, via the Born Free Foundation.

That was the retrospective part of the trip, and then looking ahead, we made plans to encounter some great apes, including gorillas, in the wild.

I’m an ambassador for Margot’s wonderful series of books. Great apes being the next in the series (following Remembering Rhinos and Remembering Elephants. It’s a really fantastic idea and it emphasises Margot’s determination to put attention where it’s needed, where it might not automatically go.

What Margot achieves with her books, in terms of raising both funds and awareness, is exemplary and invaluable. The prestigiousness of the campaign and the traction it has already gained in the conservation world is indicative of that.

My role is basically to use whatever platform I have to shine a little more light on Margot’s extraordinary work and it is such a great honour to do that and to be involved with the Remembering Wildlife series in any way.

Remembering Great Apes - cover photo by Nelis Wolmarans

Remembering Great Apes – Cover photo by Nelis Wolmarans

The first time I saw great apes in the wild was in Tanzania, just a few days before going to Rwanda. Specifically, I was at an unimaginably beautiful lodge called Greystoke Mahale in the Mahale Mountains National Park to see chimpanzees. This is a genuinely wild and completely isolated place on the edge of Lake Tanganyika. It’s like going back in time. No roads, no people, nothing but pure, unadulterated nature.

The trek to get to see chimps was a fairly arduous one — apparently about two hours or so of steep incline — but I was so gripped by the surroundings that it went pretty quickly. There’s no guarantee of actually reaching or seeing them, and that’s exactly as it should be. But the feeling upon first setting sight, and as it turned out, hearing, them was sheer elation.

There’s something surreally beautiful about being so far out there in totally unspoiled nature and coming across a family of these incredible, sentient creatures living wild and free. It’s all added to massively by the fact that they look right back, I mean really look at you. It’s quite extraordinary.

With the chimpanzees all visitors are required to wear a surgical mask, to protect the chimps from our illnesses as opposed to the other way around.

There are also rules relating to the distance that must be maintained. This varies from place to place and species to species but whatever it is, the guides keep a close eye on that and instruct you to move back if necessary.

Of course the apes don’t know or care about the rules so every once in a while a very close encounter can happen…as was the case with me with both chimps and gorillas.

They are free to roam far and wide, and they do. Unsurprisingly they can move significantly faster and more efficiently than we humans, so it’s good to know any encounter is always on their terms to that extent.

Observing these wonderful animals is done very respectfully by keeping groups small and limiting time with the animals to a maximum of one hour a day — that’s if you even find them in the first place.

Even at the required distance though, seeing these creatures in their natural habitat and having the privilege of spending a little time with them is absolutely unforgettable. I was moved to tears by it more than once.

*****

Great apes in captivity

I’m vehemently against any captivity and have been since long before seeing gorillas, or any other species, in the wild. Despite what some establishments claim about creating an environment as close to natural as possible, this is simply never achieved.

Not that it should be necessary, but when you spend a bit of time in the mountain forests and experience the vastness first-hand, seeing the ability these animals have to move freely over such huge distances, you understand in no uncertain terms just how far off the mark captivity really is, how cruel it is. It’s not comparable. Not remotely.

Gorilla mother and baby photographed in the wild in Rwanda, how it should be.

There are a very limited number of exceptions where, for example, a certain animal may be in some form of captivity for genuinely unavoidable reasons. Animals born into and rescued from a ‘life’ in the circus, for instance. An animal like that will either end up in a sanctuary or be put to sleep because release into the wild simply isn’t an option for an animal that has no idea how to be wild.

In those instances it has to be about the welfare of the animal before anything else, and it’s easy to tell the difference. A true sanctuary doesn’t involve a stream of gawping tourists with flash cameras.

In the case of gorillas, it’s glaringly obvious that zoos in cities around the world don’t hold gorillas captive in the name of sanctuary or conservation. They do so because they draw a crowd and help the zoo to turn a profit.

The outdated ‘education’ argument also falls flat.

We live in a world of high definition TV’s and award-winning, ground-breaking documentaries, any of which will teach you more about the natural behaviour of an animal than any zoo could ever do, just as you wouldn’t learn much about natural human behaviour by observing a person confined to a prison cell.

Whether it’s gorillas we’re talking about or any other species, it seems to me that at some point in history we humans got so caught up with what we could do that we stopped asking ourselves whether we should.

I just hope with all my heart, for the sake of the countless animals suffering such a miserable fate, that humans evolve beyond the unthinkable selfishness of captivity.

Similarly to the other titles in the series, the production of the Remembering Great Apes book will be funded by a Kickstarter campaign: Click here to make a pledge

 

Dan Richardson

Dan Richardson is an actor, wildlife activist and proud vegan. A Patron of Born Free Foundation and Voices For Asian Elephants Society and an Ambassador for International Aid for the Protection & Welfare of Animals (IAPWA), Angels For The Innocent and Remembering Wildlife; Dan is a prolific animal advocate and passionate fundraiser for charities supporting animals both wild and domestic. Follow his incredible work online here.

Uniting some of the world’s best wildlife photographers to raise funds for the protection of these species in the wild; this book will represent chimpanzees, gorillas, orangutans and bonobos and will be guest edited by great ape expert Ian Redmond OBE

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Tania Esteban chats about her role as a Digital Researcher for BBC’s Big Cats, Planet Earth II and Blue Planet II

Tania Esteban behind the camera

I’m sure that, like me, Thursdays for many of my blog readers have meant one thing this January — Big Cats!

The BBC’s natural history programming has started 2018 on a high, with this exciting new series exploring the secret lives of wild cats. This past Tuesday viewers were treated to a rare insight into an international project that’s battling to bring the Iberian lynx back from the brink of extinction through captive breeding and improving wild habitats.

I was fortunate enough to chat to Tania Esteban (whose work can be discovered at TRE Productions) about her work behind the scenes on the series, which involved researching, setting up shoots, storyboarding, and translating for the crew (Tania credits being bilingual as major advantage in securing her role on the project).

Listen to the full interview on the SoundCloud link below.

After discovering her film A Lion’s Tale through Twitter back in 2016 (it featured on my Top 5 ways to beat Blue Monday post in January 2017), I was incredibly excited to chat to Tania about the film; her first big steps into her career in documentary-making; and the amazing work she’s done with the BBC since completing her Masters in Wildlife Filmmaking…

Kate: ‘Big Cats’ was your first project for the BBC, what did you do for the series?

Tania: It was my first foray into the BBC because it was work experience. At the time I was editing A Lion’s Tale, which was good timing, so I applied for the BBC work experience pool. I thought; “I’ll just apply and see if I get it” — it’s usually quite tricky because so many people apply and I knew I may or may not get it. I was at university when I got the call and they said: “We’d love to do a quick interview with you if you’d like to do work experience”, and of course I said; “yeah, I’d love to!”

The reason why was mainly because I could speak Spanish and they sent me to Spain to do a recce of where they were going to film the Iberian lynx for the third episode, on the conservation element of it. So I was very excited because this was my dream project — I wish I could have worked on it for longer. But I spent a month and a half working on it; doing lots of research and getting to learn the ropes of production. We’d just learnt everything on the [Masters] course, so it was fresh in our minds and a good chance to see whether I could do this in the real world of work.

What did the work experience involve?

I helped the main researcher and assistant producer — the lovely Sara [Douglas]. We went out to Spain and actually flew into my home province — which was hilarious; I told the team that I could show them all the best tapas bars. I did a little bit of filming on an Osmo [a type of handheld camera] — so that’s kind of field notes and getting a general scope of the area so that the producer can look and think ‘right, we’re going to film here and we’d like to do this…”.

I did a lot of translating; liaising with the scientist and finding out key facts that would feature heavily in the story. It was my job to work around the language barrier and make them feel comfortable with the team and ask questions about where we could place the cameras and gain their trust — which I love doing, because I love talking to people. 

BBC big cats

What did you enjoy most about working on Big Cats?

I really enjoyed finding pure science, learning how to set up shoots and the storytelling element and thinking about different camera angles and story boards to help the production.

It was very high security and we had to put protective clothes on so we didn’t spread any disease to the animals and they hosed us down, because they’re critically endangered these lynx. And they’re so beautiful; very small animals. I’d never seen them before so that was very exciting. 

It was really inspiring for me actually, because I never realised how many passionate conservationists there are in Spain. I was quite blinded to that in a way because I’d grown up there, but I’d never really had the opportunity to meet any of these people, such as Miguel who features on the programme.

The conservation work is incredible and I’m very glad that — from the perspective of a half Spanish woman — the conservation work that the team is doing is now coming out and being seen. It was brilliant to see that and to start my BBC role and my work as a researcher on a programme that features big cats — as I was obsessed with big cats at that time, after working on my film ‘A Lion’s Tale’.

What’s it like behind the scenes? Did you learn things that weren’t in the final programme? 

Yes. You see all these things behind the scenes and you’ve got your team there; so you find out all of this knowledge and information that embellishes a sequence. And even if that doesn’t make the final cut, you still have that knowledge with you and you still have that bond that you’ve made with these people. I think it’s very important to keep up those relationships where ever you travel in the world, because you never know.

Like the connections you made during the production of A Lion’s Tale; the likes of Ian Redmond, Virginia McKenna and Will Travers. How did that come about and where did you get the idea for the film?

I was studying the Wildlife Filmmaking MA course in Bristol after completing my Zoology course. I’d know for so many years that I wanted to do this particular MA course; since I was 14 and I saw it advertised. So I planned all my A Levels and GCSEs to get to Bristol and do this course. So when I got it I was ecstatic! And as part of our final year projects we had to choose a story we were passionate about; I wasn’t too sure what that would be — I knew I really liked big cats, but wasn’t sure what the story would be. Then Ian Redmond came in [to the university] and gave an inspiration talk — as always. He was talking about vEcotourism and he said this one sentence — that it was the 50th anniversary since the Born Free film was made and I went; “that’s the story!”

A Lions Tale film poster

Click the image to watch A Lion’s Tale

How did you get to work on the filmmaking side?

I’d recently read how lions had declined by nearly 70% over 20 years, and it’s just terrible when you think about how their numbers have plummeted. People always think that lions are so numerous, and they’re really not anymore — so I thought that’s the connection. So I went up to Ian [Redmond] and said “I’m a huge fan and I’ve got this idea for a film I’d like to make with Born Free; could you maybe put me in touch with Will Travers and Virginia McKenna if they’d be interested. And that really got the ball rolling and I got in touch with Will. Will was absolutely incredible — and I’m such a huge fan of his, so I was terrified of meeting him — and of course Virginia has always been such a hero of mine; as I’m sure she is of yours, and many people. She’s got this incredible presence. I even did a presentation about her when I was at school; I was 10 years old and we had to talk about our biggest heroes, and I chose her.

Everyone who I’ve spoken to who’s met Virginia McKenna has said she has such a positive air about her, and she’s so passionate and she ‘does’. She’s an activist — she acts upon her word.

virginia mckenna at home

Virginia McKenna portrait by Tania Esteban

So once the ball was rolling, I spent six months setting up the shoot and liaising with them constantly and then doing all the storyboards, doing all the research; talking to Victor — who’s one of the rangers out in the Kenyan Born Free offices — and then crowd-funded it. It was just a bizarre, really incredible year of planning this dream shoot and I thought: “right, I’ve got 10 days to actually shoot it, just a tiny percentage of a production.”

Actually getting out there was incredible because I got to fulfil a childhood dream of filming a story about one of my absolute heroes and an animal that’s very dear to my heart.

A Lion's Tale film poster

When I started editing it, I want the piece to be very much a memoir of Born Free and of Virginia McKenna as well, because she has dedicated her whole life to conserving wildlife. And her son [Will] is one of the most hard-working people I’ve ever met. He never stops. He’s seriously incredible.

What was it like going to the 2016 ivory burn in Kenya for the film — to witness the biggest ever stockpile of ivory to be destroyed?

That was something that I was unsure as to whether it would come off. A lot of people asked “what’s the connection?” and I said “well, there is a connection”, at the very end — there was a different ending that I didn’t use, it’s a personal copy that I keep — it’s Virginia McKenna saying: “it’s not just about elephants and lions; it’s about the whole eco-system; it’s about the whole of nature — protecting it. It got me really emotional actually.

Being at the ivory burn was one of the most overwhelming, powerful things I’ve ever filmed. You’re so focussed as a camerawoman, thinking: “I’ve got to get this shot, and I’ve got to get that shot — I’ve got to get the president as he comes out to light the ivory, and I’ve got to roam around with my gimbal to try and get some of the shots of the rangers and the burning flames…” and then you look up and see this 50-tonne pile of ivory going up in flames. It was the smell actually, more than anything and you could hear the ivory crackling because bits of it were hollow — it was so powerful.

Tania Esteban film the 2016 Kenyan ivory burn

That’s why in the film I used Virginia’s voice, Will’s voice and Victor’s in the film, to narrate it. I wanted them to give a voice to all those people who had been working together to reach this moment. It’s all about emotion in the storytelling. That’s what I tell a lot of people — especially in conservation — because nobody wants to be lectured anymore. You’ve got to get them emotionally or visually arresting images to try and do these amazing people justice.

Just being there was amazing and I’m so grateful to Ian and Will and Virginia for giving me that opportunity to make a dream film.

Amazing! I know you’ve become a bit of a drone specialist; how has that come about?

Drones are amazing! I got started with them about 2 years ago when I saw a video on Vimeo that someone shot in Scotland on a Phantom 2 — a very old type of drone — and I just thought “god, it really does open up a whole new world!”. It was only then that it was beginning to get more commercial and anyone from the general public could start to buy consumer drones and give it a go. So I bought a secondhand one to see if I could actually fly it before I start taking it seriously — and it was terrible, the drone was quite terrible, but if you can fly a bad drone and a smaller one, then you don’t have to worry about the bigger ones.

I remember flying a drone over my house in Spain, and the mountains there have always inspired me, so just to see it from above and being able to take pictures was incredible — a whole new perspective. And that’s where it all started really. I realised it could add a whole new perspective to my storytelling. 

Tania Esteban holds a drone camera

I was at the BBC at the time and I thought: yes, I’m going to do this. It’s quite a lot of money, it costs quite a few thousand pounds to train yourself to get the license and get qualified, but I knew that it would perhaps open up more opportunities for me to go out on location and also to enhance my own videography and film work.

The conservation element of it is quite interesting, because you can use drones for aerial surveying — such as for monitoring orang-utan nests and tree distribution and species. In the forest it was incredible to pan up the trees that just go on and on, and it gives a good indication of the health of the forest when you see ferns on the trees, etc. And I’m always concerned about the welfare of the animals I’m filming — when I filmed elephants in the forest I didn’t get anywhere near them. So it’s exciting; you’ve got small drones like the Spark, which you can fit in your hand, and because of the size of it, the motors don’t make as much noise. That’s very exciting for wildlife filmmakers.

I recently went to Iceland, which is the most drone-able country — the way the landscape changes is like turning the pages of a children’s story book — and the new series I’m working on now heavily features a lot of drone work, so I’m going off to Canada very soon to go fly my drone. My first paid internal gig with my drone.

Exciting! And it’s always important to think about the welfare of the animals. So, tell me about your work on Planet Earth II and Blue Planet II. What did you do for them?

That came about two months after I finished work experience on Big Cats and I’d finished editing A Lion’s Tale. The film came out at the start of November and at the end of November the BBC got in touch and said “would you like to do digital research for Planet Earth II?” Umm, yeah!

Digital research encompasses all the online aspects: all the video clips, all the behind the scenes pictures and all the social media clips and exclusives that people see online. And I was a part of the team that did all the different additional bits to support the Blue Planet II team. Which is probably why I was very active on social media about it, saying “check this out!” and all the random .gifs you probably saw about it.

Tania tweets about Blue Planet 2

We did some digital exclusives for Snapchat for America, which was interesting. My job was to look into all the archive which wasn’t used for Planet Earth, so I got to see all this amazing footage which wasn’t used on the main episodes and edit up clips for the digital platform.

We crafted these different stories with this incredible footage that wasn’t used on the series. Some of it was breath-taking, I hope its used for something in the future. 

For Blue Planet II I did the equivalent, but also got to do some additional interviews with some of the filmmakers involved and the conservationists — so that was good, as it meant I got to do some more camerawork.

I was so desperate then to move on to production — and I saw that Wild Metropolis was commissioned and so I came up with loads of story ideas and pitched it to the series producer and he said “ok, you can be one of our researchers” — which was great, as I could move on to production which was what I wanted, as it’s pure research. It’s been my favourite project to date. A lot of people don’t see these ‘mega cities’ from around the world as wildlife hotspots, but some of the stories we’ve found: wow! It’s coming out in October time, so keep an eye out for that!

What advice would you give to people who want to go into filmmaking and start a career like yours?

You have to be really passionate — and slightly crazy — about wildlife and natural history. I did the science route, zoology and I studied urban bat ecology for a year and did my dissertation on it and then I specialised in filmmaking, because that’s what I wanted to do. You don’t have to do that, I know plenty of people who didn’t, but I think it just gives you this filmic grammar if you specialise in filmmaking.

So yeah, just get out there, find your own stories — the world has opened up now, anyone can own a camera that shoots 4K now. Talk to people about their experiences, travel — it opens up a whole new perspective of your own life, as well as your career. Keep filming and get on social media. .

Tania with Victor and Born Free team after filming A Lion's Tale

Networking is about 60% of everything that we do. I also believe that if you can specialise in a certain area of wildlife filmmaking: gimbal work, long lens work, drone work, time-lapse, thermal — like you saw in Big Cats, the thermal imagery — there’s so many different niches that you can specialise in, I think you should go for it and pick one that you enjoy. I also believe in developing your own style; don’t just copy.

And always remember your roots; the reason you’re doing why your doing your filmmaking work — to make a difference, to inspire people, which is especially true of wildlife work

 

kate on conservation logo

Want to know more about wildlife filmmaking?

 

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Remembering Rhinos launch: Special interview with Founder Margot Raggett

This week, many of the world’s top wildlife photographers and leading conservationists are joining forces once again for a series of events in London – this year to launch the coffee-table photography book Remembering Rhinos.

remembering rhinos

Remembering Rhinos is the much-anticipated follow-up to last year’s title; Remembering Elephants, for which I attended the launch at the Royal Geographical Society, London, the day before the Global March for Elephants.

Similarly to Remembering Elephants, Remembering Rhinos was founded by photographer Margot Raggett in association with the Born Free Foundation.

Like its predecessor, the book and its accompanying exhibition (opening today; 30th October until 11th November) both feature stunning photographs donated by top wildlife photographers from around the globe.

In this context of remembering the rhinos before they are confined to memory alone, the incredible images provide a profound, thought-provoking look at what we have to lose should we not win the fight against poaching, habitat loss and the horn trade.

Marlon du Toit Remembering Rhinos

The event comes at a time where the issue of rhino poaching for their keratin horns (the same substance that our fingernails are made from) has been spotlighted by the recent announcement of this year’s winner of the Wildlife Photographer of Year competition; ‘Memorial to a species’ by photojournalist Brent Stirton, which shows a victim of the illegal trade in rhino horn, taken as part of an undercover investigation. The decision of the international jury to select this particular image as their winning entry is a move that Remembering Rhinos Founder Margot Raggett describes as ‘brave’.

“I think the [rhino horn trade is an] issue is on a lot of conservationists’ minds and many of the judges of that award are conservationists,” she tells me in a special interview. “It was a brave decision to choose a picture which will have many of the public turning away from looking at it but it is incredibly important that as many people see it as possible nonetheless. We can’t deny what’s happening anymore, because we are all running out of time to save so many species.”

Memorial to a species by Brent Stirton

Memorial to a species by Brent Stirton, winner of the Wildlife Photographer of the Year award 2017.

I spoke with Margot about the new book, exhibition and Remembering Rhinos’ special launch event to be held at the Royal Geographical Society on the 1st November…

 

Kate: What will make the launch on the 1st November a success to you?

Margot: Good question, I am so focussed on arranging it right now, it is important to step back and think about that… Obviously a packed house, the chance for likeminded people to mingle, talk about the issues and be inspired is all important. But ultimately, the exhibition and launch are all about trying to sell books because THAT’S how we raise funds to put into projects. So the aim is to inspire people to buy as many as they can carry and make it everyone’s Christmas present this year! If we sell out of books by Christmas I will be absolutely thrilled – we printed 4000 rhinos books this year compared to 2500 elephant ones last, so a real step up. 

 

How did Remembering Rhinos come about? Was it always in the pipeline, or a direct response to the success of Remembering Elephants?

During the launch of Remembering Elephants I had a lot of people asking me what’s next, as if it was a given that there should be a follow up. But I was very keen to do one thing at a time and get that first book launched successfully before I made any commitments. A few weeks after that launch I headed out to Africa with my friend, actor Dan Richardson – who had kindly agreed to become an ambassador for us – to have a look at some of the projects we’d supported in Meru in Kenya.

From there we headed to nearby Ol Pejeta and had the opportunity to meet Sudan, the last male northern white rhino left on the planet. That same day we visited a rhino graveyard for all of the rhinos who have been poached in that reserve and the impact of both those visits was immense. Both of us were in tears for much of that day and over dinner that night I declared that I simply had to produce another book to build upon the support we’d gathered. And of course it had to be on rhinos.

Margot Raggett and Dan Richardson with Sudan last male northern white rhino

Margot Raggett and Dan Richardson visit Sudan, the last male northern white rhino

 

How many photographers are involved this time? Are they different or the same the photographers that were involved in Remembering Elephants?

Once again we have 65 contributing photographers and while many are the same, we have swapped in a few new names. Some of the photographers from last time didn’t have suitable rhino pictures and in some instances very few photographers in the world had the images we wanted, such as those of Javan and Sumatran rhinos. Former Wildlife Photographer of the Year winner Steve Winter was a new name for this year and we’re thrilled that he agreed to come to London for our launch and deliver our keynote speech at our RGS launch on November 1st.

 

Why did you choose the Born Free Foundation as the charity to partner with on this?

It was important to me to find a charity partner whose ethics aligned with mine and whom I felt I could trust. No-one ever has anything other than good things to say about Born Free and Virginia McKenna is a personal inspiration to me, so it was a natural fit. They’ve been great.

 

Why is this fundraising campaign/the plight of rhinos so important at the moment?

The rate of poaching for rhino horn has soared in recent years with its value more than its weight in gold on the black market. Add to that the recent legalisation of the sale of rhino horn in South Africa, which only masks the illegal trade further, and rhinos are being killed more quickly than they are being born. It is unsustainable. I was chatting to someone the other day who said the media were reaching poaching fatigue in South Africa, which is a frightening prospect. Anything we can do to keep the issue in the spotlight is therefore critical – and the fact that we also raise funds, which can be so quickly deployed into rhino protection, is even better. We are doing something because the rhinos need us and that’s the right thing to do.

 

What will the money raised from Remembering Rhinos go towards? 

At the moment I have a working spreadsheet with potential funds allocated against eight different projects across Africa and Asia (all approved by Born Free) but until we know the final amount raised — which depends upon how many books we sell — we won’t know exactly what we have to distribute. I’d rather give bigger, more meaningful donations to fewer projects than spread ourselves too thinly. There will be an announcement as soon as we can make it.

But in the meantime there are two projects we’ve already started supporting in South Africa from funds raised earlier in the year, which are Saving The Survivors (veterinary care for victims) and Wilderness Foundation Africa (anti-poaching patrols). In mid-November after the launch is done, Dan [Richardson] and I are heading out to visit each of those projects and report back to everyone exactly what effect those funds are having. I see reporting back as a critical element to our success, people quite rightly want to know how their money is making a difference. Accountability is a key part of our success I believe.

Remembering rhinos book

 

Remembering Rhinos talk and launch

A special evening about rhino conservation and photography will be held at the Royal Geographical society, London, on 1st November, and will include talks from former Wildlife Photographer of the Year Steve Winter, Saving the Survivors founder, vet and photographer Johan Marais and Will Travers OBE, President of Born Free Foundation. The event, which Margot Raggett will compère, will also include a presentation of the images from the book and an auction of some of the images.

The books themselves will also be on sale on the night with some of the photographers available to sign them if requested. Books and prints will be on sale to support Born Free Foundation’s rhino-protection work.

Tickets can be purchased from Born Free Foundation: For more info, click here.

Learn more about the rhino horn trade

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‘This is our world’ – last chance to walk among nature’s giants!

An elephant towers above my head; just a few footsteps away a mother giraffe stands protectively over her young calf. From this vantage point I can see a closely camouflaged lioness stalking a skittish zebra. I’m not on safari in Africa though; I’m standing in the Royal Horticultural Halls in central London, surrounded by lifesized acrylic paintings of animals in their natural habitats.

The astonishing ‘This is Our World’ exhibition was comprised of a collection of work by acclaimed British-born artist Omra Sian.

Incredibly, some pieces spanned more than six metres in height and seven metres wide!

The exhibition focused on educating, informing and inspiring visitors from all walks of life about wildlife, conservation and climate change, and was curated by not for profit organisation Art World Conservation.

Each artwork was accompanied by a poignant description of the endangered species depicted and the reason they are threatened – so it was no surprise that the exhibition was hosted in partnership with the Born Free foundation and the International Fund for Animal Welfare.

It’s honestly hard to not feel overwhelmed standing among such detailed and textured scenes showcasing the heart of the African Savannah, the icy Arctic Circle, the lush Amazon Rainforest and the dramatic scenes found deep in the ocean.

Apparently this is the first time the acrylic-on-canvas paintings have been displayed collectively — due to public demand!

There really is a power in seeing these images of some of the planet’s most iconic wildlife species standing side-by-side, as the exhibition title suggests; it really gives a sense of one world, which belongs to us all.

High-definition paintings include the endangered black rhino, majestic lion, towering Rothschild giraffe and elusive great white shark, and information throughout the exhibition (which has also hosted talks from leading wildlife charities and conservationists) offered the chance to learn more about efforts to protect wildlife from threats including climate change and the illegal wildlife trade.

The Artist

Artist and conservationist Omra Sian has been a professional artist for over 30 years.

He spent over 10 years meticulously researching and creating this unique body of work, and travelled around the world to study his subjects in their natural habitats.

Omra hopes that the imagery will both inspire and educate visitors to learn more about conserving the planet and why it is paramount we all do so.

He says: “I once read a quote that said ‘life begins when you come out of your comfort zone’ – so I made sure I stayed out of mine to create this collection.”

“The collection makes people challenge the way they think about the natural world. It is the IMAX of wildlife art and the images painted are scientifically correct.”

“It really was a labour of love! To create canvases on this scale required me to climb up and down scaffolding up to 40 times a day, or paint whilst lying on the floor for hours at a time, so each piece really does represent a huge amount of physical and mental dedication, as well as investment of time.”

“The event will inspire, educate and inform visitors – young and old – about the world we live in; the creatures and habitats we share it with and why they are so important to conserve. Often the simplest of changes by many people can make an enormous difference and this event is about inspiring those changes. Educating children is paramount as they are the future, and I hope the painting will inspire them to learn about flora and fauna, as I did when I was a child”.

A child’s depiction of the Siberian tiger painting shown above is displayed at the end of the exhibition.

It is hoped that this collection can be taken around the globe to education and inspire everybody to conserve the planet for a sustainable future.

Good news if you aren’t able to make it to London for its final days!

Like this? Read about my own conservation art exhibition here.

See what happened when Millie Marotta held her ‘Colouring for conservation’ event

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Talking the talk: let’s have a conversation about Taiji Cove

This ‘dolphin drive’ season, more than 150 bottlenose dolphins have been rounded up and taken from Japan’s Taiji Cove, forced into dolphin shows in captivity, and most destined to make their way into the meat trade.

Dolphins in captivity performing for the general public

These latest figures, released by activist group Sea Shepherd less than 24 hour ago, were accompanied by the statement: “Although we are in the final days of the dolphin drive hunt season here in Taiji, there is no reprieve for the captive dolphins held in the harbour pens. This morning the banger boats left the harbour in quick succession, searching in their final days for pods of dolphins to desecrate, destroy and profit from.”

*****

Some time in the ’90s, when terrestrial television ruled, I remember watching an episode of The Simpsons in which killer dolphins rise up to take over the planet.

The Simpsons is smart, very smart  I’ve read an essay or two about the incredible mathematical problems and references snuck into series after series  and I think with their killer dolphin takeover, they were onto something.

dolphin army

No, I don’t believe that dolphins are going to rise up, find a way to walk on land and wipe out the human race (though occasionally I wish they would…), but I think the interesting thing is that something as (unfortunately) flippantly dismissed as a comedic cartoon, was actually educating children that dolphins have language. And to have language  not just calls for mating and warning – one must have independent, free thought.

simpsons dolphin

It’s easy to relate to species that look like us. Species that have two arms, two legs, fingers and thumbs. Great apes where we can trace our common ancestry; chimps and bonobos especially, where we can recognise a language in their utterances and teach them how to use basic signing to ‘talk’ with us.

During my time as an English Language and Communications undergrad, we studied in great detail an entire module on the successes and failures of scientist teaching chimpanzees, like the well-documented Nim Chimpsky, how to communicate the human way.

I can’t help but think that although this doesn’t bring a blanket safety to the species from atrocities such as poaching for the bush meat trade or to supply Chinese medicines, it does help us in western societies relate to the creatures and recognise them as sentient beings.

But pound for pound, relative to body size, dolphin’s brains are larger than those of chimpanzee’s. They are, in fact, among the largest in the animal kingdom.

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As well as an impressive flair for problem-solving and a capacity to plan for the future, dolphin’s varied and complex language at least equals our own. They not only whistle and click, but they also emit ‘burst pulses’ to discipline their young and defend themselves against sharks.

They even eavesdrop on the echo-locating clicks of other dolphin pods to figure out what they’re looking at.

But without arms and hands and fingers, such highly communicative beings have only been taught to respond to human commands when they could have so valuably had their articulations studied and dissected to reveal the exact nature of their intelligence.

I wonder if a different physical form and a different means of language would have saved them from the fate of hundreds of thousands that will now be facing slaughter from September 1 in a place called Taiji Cove in Japan, in the name of ‘cultural tradition’.

dolphin-slaughter-taiji

After watching the shockingly powerful and effecting documentary The Cove (available to view here), I felt compelled to act in some way, and in January 2015, joined one of the biggest protests against the Taiji slaughter of recent years. As another killing season commences this month; as do the protests.

IMG_6838

Throughout last year, and in doubt with documentaries such as The Cove at the helm, I’ve seen the public and media interest in dolphins soar, which is wonderful for helping to understand the complex multi-layered nature of these creatures.

image

For example, similarly to humans — as I believe anthropomorphism helps the cause of compassion towards these animals — dolphins seek the fun, playfulness and social interaction of natural highs; in their case using the secretion of pufferfish toxins to get their fix.

That’s not all dolphins use their fellow ocean-dwellers for though, according to National Geographic Magazine:

“In Shark Bay some bottlenose dolphins detach sponges from the seafloor and place them on their beaks for protection while searching the sand for small hidden fish – a kind of primitive tool use. In the shallow waters of Florida Bay dolphins use their speed, which can exceed 20 miles an hour, to swim quick circles around schools of mullet fish, stirring up curtains of mud that force the fish to leap out of the water into the dolphins’ waiting mouths”

I believe that this high intelligence and ability to use tools, as well as their highly effect methods of communication, stem from their social structures, which are also integral to their well-being.

image

Lori Marino, biopsychologist and executive director of the Kimmela Center for Animal Advocacy explains: “A dolphin alone is not really a dolphin. Being a dolphin means being embedded in a complex social network. Even more so than humans.”

Dolphins’ communities require intimate social and emotional bonds that reveal the highly developed way they process emotions.

DSC_0914

National Geographic also states that there is strong evidence to suggest dolphins even have names, using distinct signature whistles to call one another:

“It turns out that there is strong evidence to suggest that at least one kind of dolphin sound, studied extensively over the past decade, does function as a kind of referential symbol. Dolphins use distinct “signature whistles” to identify and call one another.
Each dolphin is thought to invent a unique name for itself as a calf and keep it for life. Dolphins greet one another at sea by exchanging signature whistles and seem to remember the signature whistles of other dolphins for decades.
Though other species, like vervet monkeys and prairie dogs, make sounds that refer to predators, no other animal, besides humans, is believed to have specific labels for individuals.”

dolphins

If we cannot recognise the importance of this species and the wealth of what we can learn from them, then I can’t help but feel all those hours I spent during my degree learning about the scientific study of chimp’s engagement with language were wasted. Because science requires growth; new thinking and challenge before it can progress. And progress cannot be made, and it our knowledge not broadened, if we cannot consider an animal’s mind, brain, communication and intricate system of utterances just because they do not possess two arms and two legs.

*****

If you’re interested in learning more about the dolphin’s ability to learn, and their incredible intelligence at large, Born Free Foundation have released a book on their successful rehabilitation of Britain’s last ever dolphinarium-captive dolphins, Misha and Tom back into the wild. Find out more here.

An extract of this article first appeared in Big Issue Magazine, viewable here: LIKE APES, DOLPHINS ALSO ‘TALK’ – AND NEED PROTECTION.

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Top 5 ways to beat ‘Blue Monday’…

Apparently today is the most depressing day of the year. Cold January Mondays, can be a miserable time as it is, without the thought that statistics are against us, as well as the rainy British weather.

I figured it would be a good time to escape the January blues and indulge in the beauty of nature, and some of the incredible conservation heroes working hard to secure a future for some of our planet’s rarest wildlife.

Here are a few of my top suggestions for getting through the day.

1. Try out Gorilla Safari VR

A free app for your phone or mobile device, Gorilla Safari VR was developed by vEcotourism.org and released by the Born Free Foundation over Christmas.

If you’ve not tried it yet, the app — available on Android and iOS — begins at Born Free Foundation’s headquarters in Surrey and takes users on an immersive adventure (either using a VR headset or as a 360-degree video experience on your device), to the Kahuzi-Biega National Park in the Democratic Republic of the Congo.

Meet Eastern Lowland Gorilla patriarch, Chimanuka (star of BBC’s Gorilla Family & Me), and explore his native habitat with Ian Redmond OBE as your guide.

Gorilla Safari VR

I wrote an entire post on this app last month, so feel free to take a look back over that for a full introduction, or visit vEcotours website at: http://www.vecotourism.org/news/announcing-gorilla-safari-vr/

2. Watch A Lion’s Tale

The realm of Natural History film making is in a fantastic position at present. We finished 2016 on the high of the amazing Planet Earth II, with its ground-breaking footage and camera techniques; we’ve had a host of great wildlife shows presented by Gordon Buchanan, and currently you can catch the fascinating BBC series ‘Spy in the Wild‘ narrated by David Tenant. Spy in the Wild uses some impressive robotic animals fitted with hidden ‘spy cameras’ to film a very intimate and unusual look into the lives of a range of animals, from alligators and elephants to African wild dogs. 

But there are many other amazing Natural History films available that you won’t find from switching on your television. Independent filmmakers are posting some incredible results online, including ‘A Lion’s Tale‘ by Tania Esteban.

This film looks at the legacy of actress turned conservationist Virginia McKenna, who famously played Joy Adamson in the 1966 film ‘Born Free‘. Fifty years on, A Lion’s Tale attempts to look at what that legacy means among today’s wildlife conflicts, returning to Kenya (where Elsa the lioness was once released to roam free) to visit the Born Free team and the Kenya wildlife service rangers to explore their work on the frontline of conflict and education.

A Lion’s Tale saw its public release online this last weekend, catch it here:

For more info about the film: treproductions.co.uk/

Official webpage: taniaesteban.wixsite.com/alionstale

3. Explore ‘Speaking of Nature’ case studies 

Another impressive independent film project to have received its launch onto the World Wide Web is that of film maker Craig Redmond. His project ‘Speaking of Nature‘ was released on the 5th of January and has gradually been doing the rounds on social media.

I discovered it this weekend and spent an entire morning working my way through the six stories that comprise this project.

Each story focusses on a different conservationist; Badger Cull – Dominic Dyer, Badger Trust;  Primate Pet Trade – Dr Ros Clubb, RSPCA; Hunting and Trapping of Migrating Birds – Fiona Burrows; Committee Against Bird Slaughter; Wildlife Crime – Mark Jones, Born Free Foundation; Industrial Fishing – Wietse van der Werf, The Black Fish; Gardeners of the Forest – Ian Redmond, Ape Alliance

There is a written introduction to each conservationist, exploring their role and the plight of each animal they work with (or rather, for the protection of) and video footage of two-part interviews with each chosen person.

Grab a cup of tea, nestle in and prepare to be inspired.

craig-redmond-speaking-of-nature

For the full stories, visit: https://craigredmond.exposure.co/speaking-of-nature

4. Discover GreenWorldTV

Something to get excited about for 2017 — a brand new television channel dedicated entirely to wildlife and environmental news!
Although GreenWorldTV hasn’t quite ‘landed’ yet, it’s coming. And I for one, can’t wait.
GreenWorldTV will launch in 2017 as the UK’s very first conservation, animal rescue and investigative wildlife online TV Channel and intends to bring a selection of educational and truthful wildlife TV shows, films and shorts to the world. Stay tuned – the channel will launch at www.greenworldtv.com
Check out this trailer for an idea of things to come, and give yourself something to look forward to:

You can sign up to Green World TV YouTube here: https://www.youtube.com/channel/UCfsRp0AAJQII4EIfZeVoeRw

5. Have flick through National Geographic Kids Magazine

Ok, so I’m cheating a bit here, because – as some of you will know – I recently started working for National Geographic KiDs magazine. Their February issue (on sale now), is the first issue I contributed to.
It’s a great little uplifting read – lots of fun for children, but also, I’ve found, it’s a nice easy read on an early morning commute.
Simple language, great photography; some fun and unusual facts about big cats and a really interesting feature on polar bears (do you know how big a polar bear’s paw is?).
Plus, it’s bright and colourful and easily digestible. Definitely the kind of thing that cheers me up in January!

screen-shot-2017-01-15-at-17-58-37

Visit www.ngkids.co.uk or pick up a copy in your local newsagents.

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Introducing Gorilla Safari VR! A Christmas present from Born Free

Born Free Foundation have a special gift to give this Christmas. Working in conjunction with vEcotourism.org they have just released a brand new app — Gorilla Safari VR — and it’s completely free!

I know quite a few people will be waking up to a VR headset underneath the tree on Christmas morning, but for those who aren’t ready to take the leap into fully immersing themselves in the virtual world just yet; you can still enjoy the app and its opportunity to explore the habitat of the Eastern Lowland (or Grauer’s Gorillas) using a smart phone or tablet. The app is available on IOS and Android.

Gorilla Safari VRIan Redmond OBE, is the guide on the Gorilla Safari VR, and will take you to the Kahuzi-Biegan National Park in the Democratic Republic of Congo, in the heart of Africa.

“I invite you to join me on this unique VR trip to learn more about the world’s largest primate – the Eastern Lowland, or Grauer’s Gorilla.” Ian writes on the Born Free Foundation website.With us will be John Kahekwa, winner of the 2016 Prince William Award for Conservation in Africa, presented by HRH The Duke of Cambridge at the prestigious Tusk Awards this November.”

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A sneak peak of the VR tour

“Christmas is a time for family. And while most people take this to mean reconnecting with seldom seen siblings, cousins, uncles and aunts, think for a moment about our wider zoological family. Don’t you wish sometimes you could get away from it all to visit your more distant relatives, the great apes?”

“If so, Born Free has a special Christmas gift for you this year. In conjunction with the team that brought you virtual travel via www.vEcotourism.org, and just in the nick of time for Christmas.”

screen2_2208x1242-1024x576

Meet Ian Redmond, John Kahekwa and Born Free Foundation President Will Travers in the app

Having supported the fantastic work of vEcotours for a while now, I was so excited to hear that they have developed an app for my favourite charity, which even includes a view of the Born Free Foundation Headquarters in Sussex.

I gave the app a little go this morning and I love it! Here’s how I got on…

Perhaps the coolest thing about this new app (other than the fact you can download it for free…), is that it arrives just in time for today’s BBC Two’s special Christmas Eve programming, which will see a back-to-back screening of Gordon Buchanan‘s two-part series The Gorilla Family & Me from 3:45 this afternoon.

Ian and John Kahekwa both worked with the BBC last year to make the two-part series, and there’s an opportunity in the Gorilla Safari VR app to look behind the scenes of the making of the documentary.

Gordon Buchanan Gorilla Family & Me

Going behind the scenes with Gordon Buchanan while filming The Gorilla Family & Me

Join Gordon and the BBC film crew with the warden, rangers and trackers on the trail of siverback Chimanuka’s family. You could also spread some more Christmas cheer and continue being a part of Chimanuka and Mugaruka’s wild story by adopting the gorillas through Born Free Foundation.

You can adopt the pair (I have!) and receive a personalised adoption certificate, photo, cuddly toy gorilla, the pair’s full story and regular updates about the gorillas; courtesy of Adopt! magazine. To find out how, click here.

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To learn more about Gorilla Safari VR visit: http://www.bornfree.org.uk/news/news-article/?no_cache=1&tx_ttnews%5Btt_news%5D=2394 

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