The groundbreaking new series Animals With Cameras is back on our screens for its second instalment, and as I read through social media reactions to this innovative style of natural history filmmaking (for those who have yet to watch, species of animals — including chimps, penguins, meerkats and cheetahs — are fitted with cameras to record unique footage of their hidden lives); it seems a good time to share some of series host Gordon Buchanan‘s thoughts on his 25 years of filming wildlife.
“I’m going to end up losing my job to these guys,” Gordon joked as he showed an early preview clip of the series to the audience of his Animal Families and Me tour on its final night.
Concluding the 19-date tour in London, the audience at the Royal Geographical Society were treated to a whistle-stop tour of Gordon’s filmmaking career and the amazing animals he’s shared it with.
Lily the black bear from 2011’s series Bear Family and Me was the first of these animals that audiences were reacquainted with. As an inexperienced mother, Lily abandoned her daughter Hope, but touchingly the pair reunited later in the year.
Of course the Animal Family and Me series are well-known for exploring the sociology and complex relationships of animals, but it certainly added flavour to hear of Gordon’s own relationship (and misconceptions) of the black bears.
“When I first saw the bears — these big animals coming towards you in the forest — I was terrified.” He spoke of arriving in Minnesota to film the series and joining biologist Lynn Rogers, who is known for his habituated relationships with wild black bears.
“Lynn explained that the black bears were happy with their ‘partnership’ with humans, but that doesn’t really help when one of these animals first comes up and rests its huge paws and head on your shoulders for the first time.”
Perhaps the most astonishing story then, was how deepening his understanding of these bears lead to the utter trust that later becomes evident in his photographs and videos. So much so, that his (then) young children were able to encounter the bears themselves, under careful supervision (especially from a nervous Mrs Buchanan — as his footage showed!).
One of the recurring themes of the evening was understanding just how vulnerable wildlife is — despite the great size and power of many of the species mentioned — and how fragile their environments are.
I was impressed at the time taken to mention the fearless hard work of the rangers putting their lives on the line to protect elephants and other species from poaching (one very poignant image Gordon shared was a tribute to the most recently killed rangers) and at the way he championed the work of The David Sheldrick Trust, who rescue and raise orphaned elephants and other animals in Kenya.
One of the elephants that left an impression as huge as his size was Satao 2, featured in the Elephant Family and Me series. Satao 2 was killed by poachers in March 2017, just a few months after the series first aired, due to his prized super tusks (shown above).
“Satao should have had no worries [in the wild], he was a ‘supertusker’. But because of his teeth, his ivory, he was more vulnerable than much smaller elephants.”
As with the new series, Animals with Cameras, much of the footage attained during Gordon Buchanan’s impressive career as a wildlife cameraman was the first of its kind.
“We were dropped off on the tundra to study Artic wolves, and just sort of left there on this vast, isolated landscape,” he reminisced of the series Snow Wolf Family and Me. “No one’s ever studied wolves in the Artic that late in the year, other than us, because of the weather,” Gordon explained.
“Even our back-up plans had risks. But we were able to do it because the weather in the Artic is changing.”
As we move towards understanding these animals better, I’m interested to hear the way we speak about them evolve. So I was fascinated that Gordon deliberately chose to speak about the wolf ‘family‘ and not ‘pack‘; something which he purposefully acknowledged.
“It’s not a pack, it’s a family; the responsibility of each member to the pups is clear. Every member of the family would bring food to the pups — even if they were hungry themselves.”
Seeing the wolves in this way certainly challenges their long established image of folklore villains. I get the impression that dispelling this misconception was one of Gordon’s aims.
He explained to the Royal Geographical Society audience that in observing artic wolves he learned that there was something ‘incredibly wolf-like about us‘. Discovering these such parallels between animals and humans was touched upon again when he spoke of the Grauer’s gorillas he encountered in Gorilla Family and Me.
“You couldn’t help but look at them and see something of ourselves in them,” he explained. “Mugaruka and Chimanuka [the silverback stars of the series] are like the Gallagher brothers of the gorilla world,” he joked. “Although they grew up together, they grew apart”.
It was great to hear Gordon Buchanan cite the late filmmaker Alan Root as one of his biggest influencers and inspirations (first proclaiming that he is deliberately not going to say Sir David Attenborough, as his merits are unquestionable and there’s a value in recognising some of the other amazing wildlife filmmakers out there).
As well as learning a little bit more about each of these endearing animal characters, the sense of needing to protect and conserve them was strong. If there’s one thing that natural history filmmaking is teaching us today, it’s that it’s not enough to simply fall in love with our planet’s amazing animals, we must also find ways of fighting for them.
Learn more about wildlife filmmaking
- See what happened when Gordon Buchanan and Sir David Attenborough teamed up for Richmond Trust’s annual lecture
- Read my interview with Big Cat Diary’s Jonathan Scott
- Listen to my recent chat with wildlife filmmaker Tania Esteban
Want to know more about gorillas?
- Go behind the scenes of Gordon Buchanan’s ‘Gorilla Family & Me’
- Discover what happened when Sir David Attenborough met the gorillas
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